In 2019, Cardi B was the first female solo artist to win Best Rap Album. In 2016, Drake's If You're Reading This It's Too Late became the first mixtape to get nominated for the award, and in 2017, Chance the Rapper's Coloring Book became the first mixtape to win the award. Eminem and West are the only artists to win the award in consecutive years, with Eminem achieving the feat twice. The Roots have received the most nominations without a win, with five. Drake became the first non-American winner in this category when he won in 2013. Jay-Z holds the record for the most nominations, with eleven. Kanye West was presented the award four times, Kendrick Lamar has received the award three times, and the duo known as Outkast and Tyler, The Creator have all received the award twice. Cardi B became the first solo female rapper to win for Invasion of Privacy. Lauryn Hill was the first female artist to win in this category, when she won in 1997 with the Fugees. Īs of 2023, Eminem holds the record for the most wins in this category, with six. Award recipients often include the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists. According to the category description guide for the 52nd Grammy Awards, the award is presented for "albums containing at least 51% playing time of tracks with newly recorded rapped performances". The first award was presented to the group Naughty by Nature at the 38th Grammy Awards the following year. In 1995, the Academy announced the addition of the award category Best Rap Album. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". The Grammy Award for Best Rap Album is an award presented to recording artists for quality albums with rapping at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. National Academy of Recording Arts and Sciences Morale & the Big Steppers by Kendrick Lamar is the most recent recipient He released two East Atlanta Santa mixtapes while serving time, but “The Return” is a specially gift-wrapped stocking stuffer from Ol’ St. “The Return East Atlanta Santa” The Gucci Mane parade was thrown as soon as he was released from prison in May, but you knew he was truly settled once the overflow of releases started coming. Meshed with Metro Boomin’s sinister ambient beats, it’s like music for the elevators in hell. It feels less like you’re hearing raps and more like you’re hearing the voices in his head. “Savage Mode” In tone and content, 21 Savage takes you on a tour though a tormented subconscious. But on “Feminine” he takes the mask off and dives into love, lust, jazz, and funk. He dropped the “You” EP in 2012 under the name Larry Lovestein & the Velvet Revival. Probably because it’s a way to shake the image of the party-loving rapper that frat packs adore and to truly explore where different sounds can take him. It’s as lush, vivid, and pointed as his Grammy-winning opus, in a smaller, possibly more potent dose. “untitled unmastered” More than just “To Pimp a Butterfly” leftovers, “untitled” is a fully formed extension of Kendrick’s massive 2015 think piece. In many ways, ScHoolboy Q puts South Central Los Angeles on display with the same touches as Ryan Gattis in his 2015 novel “All Involved.” From the gang injunctions telling him where to go when he was just a middle-schooler, to the futility of a preacher trying to persuade him to keep a truce on Sundays, to uncles smoking what he was selling, the devil’s in Q’s details. “Blank Face” Sometimes gangsta rap is a cartoon, sometimes it’s a novel. Thank You 4 Your Service” Both a tribute to one of hip-hop’s most legendary groups and to the “funky 5-footer” Phife Dawg, who died in February after years of battling diabetes, A Tribe Called Quest’s return brought beautiful closure to the loss of a friend as well as to their own storied run in rap, with beats and rhymes that were politically piercing and painfully heartfelt. From carefree late nights at the skating rink, to the annoying car rides after, to church the next morning, Chance managed to remain wide-eyed when those eyes could’ve easily been weary. “Coloring Book” Yes, Chance the Rapper injected Kirk Franklin and the Chicago Children’s Choir into hip-hop, but perhaps more importantly, he injected joy in its purest form.
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